This is just a brief post to note the addition of a picture from the Midi Festival.
Obviously I was not the one taking this picture.I'm also posting a few new photos from RR back in this post.
An American goes to China, tries not to be an idiot, tries to maintain contact with friends and family back home.
Obviously I was not the one taking this picture.
The show at Star Live was great. P.K.14 is an interesting band that might best be called post-punk – not that that is a very meaningful label. The singer reminds me more than a little of David Byrne on the early Talking Heads records, though the musical backing is much more aggressive than the Heads ever displayed in the studio. They had a tendency to go off on instrumental tangents, and some of the songs certainly topped the six or seven minute range.
Then The Soundtrack of Our Lives took the stage. Luckily it was a big stage, since there are six guys in the band. Leader Ebbot Lundberg is a very charismatic performer in spite of not physically fitting the image of “rock star.” The band was very good, tight but not over-rehearsed, and a lot of fun to watch and listen to.
After the show, we hung around and got to chat a little with Mr. Lundberg, acquiring some CDs in the process.
This was taken from the vicinity of lane 9 looking towards lane 100.
Here is our gang on lanes 31-32.


I mentioned in the last post that the water features here at Seasons Park were filled for the holidays. Here are a couple of pictures I took. Today when I got home from work, I found they’ve all been drained again. Sigh.
In other news, I did finally get my work permit. I’m good for a year on this, and will need to renew it next spring.
It was well after 9 pm before the first band took the stage. The schedules I have translate their name (声音碎片) as “Sound Fragment” or “Break Sound” (edit - Sound Fragment is the one used on their CDs). They have a definite influence from British popular rock of the 80s and 90s, reminding me of something like a more rock-oriented Simple Minds with Edge of U2 on guitar. While they did get loud at times, they stayed quite melodic, mainly due to the keyboards and the lead vocals. The official description calls them “Radiohead meets jam band.” I suppose the jam band part is mostly because their set included a drum solo.
The second band is not listed on the schedule, and must have been called in to make up for Wulfgang’s absence. I don’t know their name, but they were a very tight, very tricky post-punk trio, kind of like Dead Kennedys crossed with something like Hella or Ahleuchatistas. RR said they reminded him of Primus only with the guitar rather than bass dominating. The vocals are where I get the DK connection, and the dizzying tempo and time signature changes are the Ahleuchatistas part. I was constantly fascinated and entertained even without understanding a word. Honestly, I doubt event being fluent in Chinese would have helped me understand those vocals.
The third band, Beijing longtimers Subs, came on at about midnight. They are a loud, snotty garage rock band with a very energetic female singer. I’d call them pop-punk if there had been much in the way of melody, but all I heard from her was screaming and growling in between bouncing all around the stage like a squirrel on speed. If it hadn’t been so late I might have hung around for the rest of the evening, but we were both very tired and ducked out after about three songs. Sorry, Rock Hard Power Spray, us aging rock fans can’t handle the hours you keep.
On Friday I joind RR, CL, BG, and BG’s friend DD to go out to the Midi Festival proper on its final day. I had to surrender my bottle of water at the gate, but luckily concessions inside were inexpensive. We got there before the music started, so we wandered around the legendary flea market, which features a very different sort of goods than I’ve seen at all the other events, markets, and sidewalks around town.
Much of the artwork involved modifying or defacing commercial or pop culture images from the West.
Midi takes its rock pretty seriously, and there’s definitely a focus on the harder, heavier side of music, with many metal and punk bands. They also had stages devoted to electronic, folk and hip hop music, but the two biggest stages were mosh-pit heaven almost all day. By the time we got out of the flea market, a band called 641 was thrashing away on the second stage, with much death-metal growling and flinging of hair. I did like the paint job on one of the guitars – a Brazilian flag.
Over on the main stage, there was a young band getting ready to play. Quite a contrast in style: they were all wearing white shirts, several of them with black ties, including the female keyboard player. I can’t vouch for the accuracy here, but the schedule lists 自画像 (Self-Portrait). There were definitely Britpop influences, with a few touches of 80s pop thrown in with the keyboard parts. Aside from the ragged vocals (maybe due to nervousness or the live setting), they were pretty decent.
Over on another stage, there was a Chinese band attempting a hybrid of heavy rock and rap with Chinese traditional elements courtesy of the keyboard parts. Interesting idea, but it didn’t really work. I’m trying to be open-minded, but rapping in Chinese just sounds strange, especially when it’s trying to be in a Korn/Limp Bizkit mold.
More wandering. Another thrash metal band on the second stage.
A flash of color in the corner of my eye drew my attention back to the main stage. Here was a band that was very interesting visually. The music was very tightly arranged heavy rock, with some sections of death metal, some spaced out instrumental parts, some industrial crunch, and more, with many quick changes and unusual rhythms. And you’ve got to love those outfits. While it’s not a kind of music I generally go for, they were obviously very talented and put a lot of work into their performance both musically and dramatically. I can’t make out anything on the schedule that seems like it could be them, unless they were 春秋 (Spring and Autumn). (edit - This is exactly who they are.)
After that I mostly just wandered around, got some food from some of the vendors, spent some time and money at the Free Sound Records booth, and discovered that they actually had something other than the wimpy Yanjing beer that was only ¥5 per glass. For ¥10, you could get a dark draft beer with some real flavor. Not sure what it was, but it came from a tap that said Yanjing on it.
One cool thing they had was the DIY T-shirt tent. I wanted to buy a T-shirt, but they only had mediums left.
The rest of the music I heard was either heavy metal or garage rock, none of it memorable. For a culture that values singing so much, and where karaoke is so popular, I was surprised to find such a low quality of vocals in the bands. I can be fairly forgiving of intonation and tone if there’s some character or emotion behind the sound, but mostly I heard shouting and shaky warbles. Still, it was a great experience, and well worth the cost of admission.






Chances are, this is not the China you know. Heck, this is not the China I know either – you could say the rockers and punks came out of the woodwork for the occasion. But it’s encouraging to see that there is some diversity in style and taste in this country, and it’s not a nation of conformists and worker bees. For all I know, everyone I saw will put on their normal clothes on Monday and go back to the office or the restaurant or the store and be indistinguishable from millions of their countrymen and women. I know it happens that way in the US, and I don’t see why it should be different here.
I'm the one in the Astro Boy T-shirt.